The Budos Band

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MEDIA CONTACT: Publicity: Shore Fire Media - Chris Taillie | (718) 522-7171 | ctaillie@shorefire.com


Previewing Album On July Tour Now

'Burnt Offering,' the new album from The Budos Band, is a wild, booze-fueled ride of hazy riffs, take-no-prisoners horn lines and relentless percussion that summons the occult - an evolved sound for this mighty 10-piece band sparked by their love of Black Sabbath and Pentagram.  'Burnt Offering,' The Budos Band's first album in four years, will be released October 21 on Daptone Records.  Says Pitchfork of The Budos Band: "So tight and in tune that they've basically become this telepathically-communicating instrumental hydra that ambushes you into moving your body on its terms."
They are on a July tour now and have a hometown record release show at The Wick in Brooklyn set for October 25.
'Burnt Offering' was recorded live in the studio, engineered and produced by Tom Brenneck, a founding member and guitarist in The Budos Band who runs Dunham Records and Studios and has worked with Cee-lo Green, The Black Lips and more.  It was written at the band's longtime Staten Island studio, where they've gathered for weekly rehearsals for over fifteen years.  The haunting album cover was created by drummer Brian Profilio, a NYC public school art teacher.  
The new album is dripping with the psychedelic sounds of early heavy metal fused with the tight-knit propulsion of Fela Kuti.  "The Sticks" kicks off with a snarling riff seamlessly doubled on bass and guitar and unfurls into sludgy breakdowns and searing guitars.  The title track was recorded with a Binson Echorec, a classic tape machine used by Pink Floyd / Syd Barrett.
The Budos Band has brought their loud, rowdy parties to venues and festivals across the globe, and their music has been featured everywhere from skate videos to video games (MLB The Show), TV (Entourage), and film (New York, I Love You).    

1. Into the Fog
2. The Sticks
3. Aphasia
4. Shattered Winds
5. Black Hills
6. Burnt Offering
7. Trail Of Tears
8. Magus Mountain
9. Tomahawk
10. Turn and Burn

7/9/14 - Omaha, Nebraska - The Waiting Room
7/10/14 - Minneapolis, Minnesota - Fine Line
7/11/14 - Madison, Wisconsin - Majestic Theatre
7/12/14 - Chicago, Illinois - Metro
7/24/14 - Salt Lake City, Utah - Twilight Concert Series
7/25/14 - Portland, Oregon - Wonder Ballroom
7/26/14 - Seattle, Washington - Capitol Hill Block Party
7/27/14 - Victoria, BC, Canada - Phillips backyard Weekender / Weekend Afterparty @ 9one9
7/30/14 - San Francisco, CA - The Independent
7/31/14 - Los Angeles, CA - Echoplex
8/1/14 - Las Vegas, NV - Brooklyn Bowl Las Vegas 
8/2/14 -  San Diego, CA - The Casbah
10/25/14 - Brooklyn, NY - The Wick (record release party) 

Twitter - @budosband
Instagram - @budosband


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Burnt Offering

Daptone Records

When it came time to title their new album, one decision was easy: “This isn’t The Budos Band IV,” proclaims drummer Brian Profilio. “This isn’t just more of the same.” The Budos Band embarked on an experimental journey since the release of The Budos Band III in 2010, seeking inspiration from sources far and wide.

While wizards use books of spells and alchemy to mix their masterful potions, the Budos employ heavy doses of continent-spanning psychedelic rock to beckon the occult and conjure the supernatural. Hence the title of the band’s fourth album: Burnt Offering.

"We made a conscious decision to embark on a new sound," explains baritone saxophone player Jared Tankel. The heavy, trippy side the group unveiled on The Budos Band III reaches full flower on new tunes like "Aphasia," "Trouble in the Sticks" and particularly the title track “Burnt Offering.” “We were messing around with an old Binson Echorec at practice one night and this loop emerged,” recalls bassist Dan Foder. The droning fuzz guitar is a call to the gods from below and encapsulates the band’s sonic progression perfectly. "This record is fuzzy, buzzy and raw, and more obviously psychedelic," adds Profilio.

Like a cratedigger's classic from a parallel universe, "Tomahawk" melds heavy, distorted guitar riffs with bright blasts of brass and bubbling drums. An eerie, ceremonial vibe awakens the slumbering giant "Into The Fog" and prods it to life.

Driven by melodies, rhythms, and changes that animate muscle and bone to move, yet compel the ear to lean in closer, these full-bodied instrumentals push Budos' music deeper into new territory.

All lingering traces of touchstones of yore—be they Fela Kuti, Dyke and the Blazers, or Black Sabbath—have been wholly absorbed and filtered through the Budos Band's ever-evolving aesthetic. "We sound nothing like our first record anymore," confirms Profilio. Anyone content to just slap the old "Staten Island Afro-soul" tag on Burnt Offering and move on clearly didn't listen to the music first.

The group composed more than two dozen songs in the course of making Burnt Offering, yet only recorded fifteen, further distilling its essence to ten classic cuts for the full-length release. If a new tune failed to capture the rambunctious energy of their live show, if it revised familiar territory or obvious influences, it got cut. Budos was determined to break new ground. "If any band says that's easy to do, they're fooling themselves—and not writing good enough songs," insists Brenneck.

In order to reach the apex of the mountain, the band had to come together like never before. Always a brotherhood, the time spent writing and recording Burnt Offerings saw changes that many bands would have run from, but for the Budos presented opportunities to hone their craft. "Making this record reaffirmed that we work together really well," says Profilio.

Burnt Offering breaks from Budos' earlier records in another significant regard: this is their first album without an outside producer. "We had arrived at a different place sonically and needed see it through completely ourselves," says Tankel. They still praise Daptone mastermind Gabriel Roth, who worked alongside Brenneck co-producing their first three records, but parting ways at this juncture made sense.

"We know exactly where we're at," says Profilio. "We didn't want to have to explain ourselves if we were in pursuit of a specific sound or vibe."

"We made the demo that got us picked up by Daptone in my parents’ basement when I was eighteen years old," Brenneck recalls. "This album is a continuation of that, fifteen years later … with a lot more records under our belts."

After all that time, Budos has become more than a band—it's a brotherhood. "This is a real family band," says Brenneck. "Guys who've been making music for a long time, and friendships that run completely parallel to the music." They still rehearse religiously almost every week, even if some of those rehearsals encompass just as much drinking, socializing, and listening to music as actual practice.

That camaraderie doesn't evaporate when they put their instruments down. On tour, they hit a brewery or pub for lunch en masse before sound check whenever possible, and like to stir up trouble. There are dust-ups and reconciliations. All that kinship comes to a head when they hit the stage. “We’ve seen some things out there that most bands don’t get a glimpse of these days,” suggests Tankel. “All of that craziness just brings us closer together. We couldn’t shake each other if we tried.”

And capturing the intensity of Budos' electrifying shows on wax, making the grooves vibrate with excitement, was one of the biggest challenges of Burnt Offering. "We record live to tape, with minimal effects," Brenneck says. Nowhere to hide, then. The band insisted that each song push the envelope. No room for filler.

The Budos have traveled far and wide—playing across four continents—since the band’s inception. A lifetime of world tours and weekly rehearsals went into the making of Burnt Offering, and the journey is far from over. As long as there are new audiences to thrill and sonic frontiers to explore, they'll forge ahead. "We haven't fulfilled our mission," concludes Profilio. "We're still very hungry."

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Credit: Justin Borucki

The Budos Band "The Sticks"

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The New Yorker >> Sound Judgement by Sasha Frere-Jones >> Link

The Washington Post >> The Budos Band Puts Its Own Spin on Afrobeat >> Link

Pitchfork >> The Budos Band III >> Link

Relix >> Budos III Review >> Link

Exclaim >> Budos Band >> Link

The Philadelphia Inquirer >> New Recordings >> Link

Phoenix New Times >> Nothing Not New Blog: Budos Band III, A- >> Link

LimeWire Blog >> What Should I Buy This Week? >> Link

Dusted Magazine >> Dusted Reviews >> Link

Urb >> The Budos Band III >> Link

Boston.com >> The Budos Band, III >> Link

Brooklyn Vegan >> Budos Band in Prospect Park >> Link

Staten Island Advance >> BUDOS IS BACK >> Link

Washington Express >> Destiny Calling >> Link

TimeOut Chicago >> Downtown Sound >> Link

Prefix Magazine >> Budos Band @ Millennium Park >> Link

Chicago Sun-Times >> Folk & Roots Festival’s Budos Band Does Instrumental >> Link

Artist Direct >> Top 10 Indie Albums To Look Out For This Summer >> Link

Fast Forward Weekly >> Spreading The Spirit of Jazz >> Link

Spinner >> Budos Band, ‘Unbroken, Unshaven’ >> Link

Impose Magazine >> Budos Band’s III Out in August >> Link

Brooklyn Vegan >> Celebrate Brooklyn Lineup >> Link

Examiner.com >> Kudos for The Budos Band >> Link

Brooklyn Vegan >> Record Release day >> Link

Brooklyn Vegan >> Live at Southpaw >> Link

AV Club Undercover >> Terrace Lineup >> Link

Art Voice >> Headlines >> Link

Jambase >> New EP Release >> Link

L.A. Record >> It stinks like the rest of us >> Link

Lineout >> Tonight in Music >> Link

Jambase >> Interview with TNT >> Link

Short and Sweet >> Budos at The Mercury Lounge >> Link

New York Times >> Music >> Link

NY Press >> Wanna Funk? >> Link

Undomondo >> Review >> Link

Impose Magazine >> Feature >> Link

Spinner >> The Budos Band Invade the Interface >> Link

Pitchfork >> Review >> Link

Obscure Sound >>Feature >> Link

Stylus Magazine >> Review >> Link







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